Dating back to 86 AD the word Navona is derived
from the old Roman word for "large boat"...
the origins of this name are due to its’ former use as the
Stadium of Domitian which is still buried underneath the Piazza.
The buildings now surrounding the square would have been the marble
seats of the stadium which was frequently filled with water in
order to stage mock sea battles. The stadium
once had a capacity of 30 thousand spectators and was originally
used for Olympic sports including track and field events like
javelin, discus, shot putt and wrestling - this is why the Piazza
still retains an Oval Shape. Unfortunately, these
games were not bloodthirsty enough and so the stadium lost many
of its’ spectators to the Colosseum. Eventually the Roman
Empire Authorities moved them out of Rome and they were replaced
with horse racing and sea battles. In the 15th century jousting
in Piazza Navona became very popular.
The centre of the Piazza Navona is dominated
by the Fountain of the Rivers – Bernini
which was completed in 1651 and is one of the finest examples
of Baroque architecture in Rome. The 4 rivers represent the 4
corners of Christianity and the 4 corners of the known civilised
world which are The Danube (Europe), The Ganges (Asia), The Nile
(Africa) and The Plate (Americas). The obelisk that is in the
centre of the fountain was brought to Rome from Egypt by Emperor
Maxentius in the early 300s and was formerly housed at his circus,
the Circus Maxentius, it disappeared for about 1300 years and
then showed up on the Via Appia Antica... It was brought to Piazza
Navona in the 1600s to decorate this fountain. Under the Obelisk
is a huge empty grotto which is a much studied architectural wonder
in Rome. The animals and plants which represent the four rivers
look a little bit weird, believe it or not the animal for Africa
is supposedly a crocodile! The reason for this is that Bernini
had never seen any of these animals so he would have sculpted
from information and bad sketches drawn from other people. Click
Here to see a virtual tour of Piazza Navona
The fountain was commissioned by Pope
Innocent X who declared a competition for the design.
Bernini had been the favoured architect under Pope Urban VIII
and Pope Innocent X was not keen to use him. There was a feeling
of “out with the old and in with the new”. Popes very
rarely used architects used by previous Popes each preferring
to be known for being the Patron of their own artist. So he excluded
Bernini from entering this competition. However, the only other
architect, of any worth, at that time was Borromini.
The Pope had seen Borromini’s design and didn’t like
it very much. Bernini quite cleverly didn’t give up and
made a model anyway. He cleverly arranged to have the model of
his design to be placed in a very strategic position in the house
where he knew the Pope would be going to dinner. Of course the
Pope saw it , liked it so much, that he declared the competition
over and awarded the project to Bernini. The fountain cost so
much that Pope Innocent X had to impose a Bread Tax
in order to pay for the fountain – for this Pope Innocent
was reviled by the Romans and nasty slogans written about him
all over the city
Borromini’s Church of St Agnes
in Agony was completed in 1657. The church was built
as the family chapel for Pope Innocent X and named in honour of
the young 13 year old Agnes who was martyred
here in 304 AD. Agnes was bethroed to the son of a Roman Emperor
whom refused to marry saying that she was already married to Christ.
This was the site of a brothel so she was brought here and forced
to undress and renounce her faith. According to legend her faith
was so strong that 3 miracles occurred. The first
miracle was that her hair started growing suddenly so much so
that it completely covered her nakedness. The Romans fixed this
by simply chopping off all of her hair. This was when the second
miracle occurred – the Sun started shining so brightly that
all the people were blinded and couldn’t see her nakedness.
By this point the Romans had had enough, they decided to burn
her at the stake... As the son of the Roman Emperor lent forward
to light the fire, the third miracle occured as the wind suddenly
started up and blew out the flame not once but every time they
tried to light the fire. Livid the Romans lost the head and so,
sadly did she.
Agnes is buried in the Catacombs on Via Nomentana
that bear her name. Every year on her Feast Day 21 January –
Festa di Sant’Agnese they have a special ceremony where
2 lambs are blessed and when they grow up their wool is used to
weave a sacred garment of the Pope to wear.
Bernini V Borromini
The rivalry between these 2 great Baroque
Architects is legendary. Bernini came from a very good family,
mixed in all the right circles and always enjoyed the patronage
of Pope Urban VIII. Borromini on the other hand was a renegade,
a manic depressive who eventually took his own life.
You can see the evidence of their rivalry by
comparing the Church and Fountain which are directly opposite
each other.... Looking at the fountain you will notice 02 of the
River Gods with their backs turned contemptuosly towards the Church.
Of the fountain figures which face the church one of them is cringing
and has his arm raised up across his face in a pleading gesture
“oh please don’t let me look at that horrible church”
The other figure facing the church actually has a cloth over his
head so he doesn’t have to look at this monstrosity of a
church (Click Here
to see a virtual tour of The Fountain and Church in Piazza Navona)
Borromini’s church features a statue of
Saint Agnes at the top. She is clearly looking away from the fountain
and has her hand on her chest in righteous indignation as if to
say “how dare they put that thing in front of me”
The church was completed in 1657 and the fountain
in 1651 so make up your own mind on whether the above legends
are true. The other 2 fountains at either end are also by Bernini
the Fountain of Neptune and the Fountain of the Moors which was
originally designed by Giacomo della Porta and later modified
by Bernini
During the 17th century the Piazza Navona was
used for public spectacles. Believe it or not they could flood
the piazza in about 2 hours every weekend in August. The wealthy,
nobility and papal dignataries would them have themselves driven
around here in their gilded carriages to escape the searing heat
of Summer. Today, Piazza Navona is still a public spectacle, there
are buskers, jugglers, street sellers and lots of artists. NB
if you do decide to buy some the artwork on sale make sure you
know your art as some of it is simply cheap copies.